How We Deal With Issues In Our Books, Or Not . . .

The posts on the Equestrian Ink blog over the last week or two have been thought provoking, to say the least. I’ve been thinking about the slaughter issue for quite some time, especially since the American Horse Slaughter Prevention Act (H.R. 503/S. 311) was introduced and is making the occasional headline. And this profound topic was going to be a part of my next mystery, although that has changed, but that’s a whole other story.



But research for that book took me to places I didn’t want to go, mainly to a video that I found on the web of a horse being killed in a Mexican slaughterhouse. I have a pretty good imagination, and this was so much worse.

Then, thanks to Laura Crum’s tip, I spent last night reading the Fugly Horse of the Day where I found examples of incredible human stupidity, laziness, and disregard for what is right and moral, as well as some admittedly funny stuff, too.

One reason so many horses end up on a slippery slope that may very well lead to slaughter is that so many humans breed inferior animals with poor conformation and unsuitable temperaments. They don’t properly care for and train the horses they do own, and they don’t take responsibility for them when they can no longer do their job, preferring to have them take their chances at auction where they are at extreme risk.

I owned my first horse until his death at age thirty-one, when I had to put him down because of old injuries and arthritis that anti-inflammatory medicine could no longer touch. He let me know when it was time to let go.

I am sad to say that, after him, I sold three other horses. They were all gorgeous, well trained, and athletic, and perfectly suited for their new owners, but I’ve lost touch with them over the years. And that was a mistake. If I ever purchase another horse, it will be for life.

Anyway, I have very strong feelings about human responsibility in the human-horse equation, and some of my opinions find their way into my mysteries. I don’t preach. After all, I write to entertain, but my character has his own opinions, and it’s only natural that he would consider them as the story plays out.



In DEAD MAN’S TOUCH, Steve gets his first look at the world of horse racing after working exclusively in the hunter/jumper arena. Here’s a short excerpt:

I flipped through my program and matched names to faces. None of the trainers looked younger than forty. Most were much older. One was a woman, and all of them were white. The grooms were easy enough to spot, wearing numbered pennies over tee shirts and jeans. They were a mixed group. Black, white, Hispanic. Old, young. Male, female.

The horses themselves were not what I was accustomed to. Nothing like the fat, glossy horses, essentially expensive pets, that resided at Foxdale. These animals were lean and hard. As I watched the bettors along the rail study the Form, I realized that the horses were viewed simply as a commodity. If they couldn’t earn their keep, they were out.

A signal must have been given, because the trainers legged the jockeys up onto the horses’ backs, then the grooms took them out onto the track.

The grooms peeled off their pennies and dropped them into a plastic bin as they slipped through the barricade. They walked back on the path I’d taken while the trainers went into the grandstand through a side entrance. A guard stood at a podium just inside the doorway, checking passes or ID’s of some sort. I retraced my steps. As I drew level with the barricade, I turned and looked back at the grandstand. A wall of sheer glass reflected a single line of cumulus clouds drifting across the horizon.

I walked back and leaned against the fence next to four of the grooms, three guys and one girl with halters and lead ropes draped over their shoulders.

A distant bell rang. The horses broke from the starting gate and surged forward in a rainbow of color.

The Night Shift . . .

I’ve been doing some spring-cleaning (the worst kind, actually: in the garage) and admittedly a little late in the season. Feels more like summer cleaning. Here it’s already June 3rd, technically wrapping up one of my favorite “horse” seasons: breeding and foaling time.



When I worked at a Standardbred breeding farm in Pennsylvania, our last foals would be hitting the ground about now, and generally, we humans were pretty darned happy that the season was coming to an end, what with the constant and seemingly never-ending chores that revolved around getting five-hundred to six-hundred mares in foal: ultrasounds, palpations, teasing the mares to see if they were receptive, and the actual breeding, itself. Even the stallions were probably happy to take a break. But I was always sad to see the season end because foaling-out was my all-time favorite horse job. My record was four foals on one shift.

The schedule was fairly brutal for foal attendants. We worked alone with only two of us splitting the nighttime hours for the season. I worked the midnight-to-seven shift for five days, then work a double shift (six p.m. to seven a.m.) so my counterpart could have off, then I’d have my day off. The day off would occur every weekend, and somewhere in there, I’d usually be awake for 30 hours before I got to bed – every single week.

Despite the difficulty of working when your body thinks it should be asleep, I loved the job more than any other. I loved being the only person on the farm and loved the connection I felt with the mares, the things I learned and observed . . . the wonderful privilege of being with these animals and getting a look into their lives that most people don’t have the opportunity to experience: listening to a mare snoring; watching one dream; feeling the contentment and peace that settles over the barn around two in the morning; watching a light snow fall when most of the world is asleep . . .



I incorporated one of the most touching things I’ve witnessed, when it comes to broodmares, in the following scene from COLD BURN:



Note: Steve has just returned from a rather racy party at a millionaire’s home and is relieving his partner on foal watch:

Maddie sat sideways on a hay bale with her knees drawn up to her chest and her arms clamped around her shins. Her right shoulder and hip leaned into the stall front, and she’d rested her head on her knees. As I walked down barn three’s aisle toward her, at five past midnight Saturday morning, I wondered if she had any idea just how titillating her pose was. To begin with, she wore jeans snug enough to cut off her circulation, but drawing her legs up as she’d done, tightened the denim even more.

I sighed. Then again, maybe it was the mood I was in. I’d always found that lack of sleep triggered some primal need to copulate, and the party had completely messed up my schedule, not to mention the sensory input overload.

I smiled as I remembered Elaine’s reaction to Hadley’s invite and guessed she hadn’t wanted to lose her ride to an orgy of sex and alcohol. She’d been anxious on the drive home, but I’d been thankful for her interjection and told her so. I liked my sex private.

Pulling my gaze away from Maddie, I glanced toward the dark storage area in the back and thought, as private as a horse barn, anyway. “What’s going on?” I asked.

Maddie jerked her head toward the stall as I realized the mare wasn’t standing in plain view. “I think she’ll go tonight. She hasn’t heated up yet, but I bet you’ll have a foal before daybreak.”

“Cool.”

“Yeah, well it’s not so cool for me if they’re all gonna start waiting for your shift.”

I grinned and stepped closer so I could see over the bottom half of the stall. As I looked over the edge, the bay mare rolled onto her sternum, touched her muzzle to her belly, and whinnied. “What’s she doing?”

Maddie slipped off the hay bale and stood beside me, her right arm brushing mine. She whispered, “She’s talking to her unborn foal.”

“You’re shitting me, right?”

“Uh-uh. She’s had four or five foals already. She knows exactly what’s going on, and she loves her babies. She’s such a devoted mother, one of the best mares I’ve ever worked with. I’ve foaled her out two years in a row, now, and she’s always talked to them.”

I raised my eyebrows. “But before they’re born?”

“Uh-huh.” Maddie turned toward me and licked her lips. “And now, it looks like you’re gonna have the honor.”

“Hmm.”

Next post, I’ll tell you about some real-life spooky events on the night shift; one of which triggered the opening to COLD BURN.

Cheers,

HEX . . .

My sister and I share a passion for equine mysteries which began way back in 1977, when I discovered Dick Francis’s IN THE FRAME--the fateful book that shoved my life’s path off course. After reading ITF, I read every book that Francis had published at the time, quit my government job, and went to work in the horse industry, where I stayed for 25 years.

I also introduced Francis’s mysteries to my sister, and thus began a gift-giving tradition between us. Francis’s books are released in October, so every Christmas thereafter, my sister would give me his latest release. I have to admit, it was sometimes tough waiting those two months before I could get my hands on his next mystery, but the wait was always worth it.

Nowadays, when my sister stumbles upon other equine mysteries, she passes them along to me once she’s read them, and HEX by Maggie Estep was one of those books.



HEX is not your typical equine mystery, though. The main character, Ruby Murphy, eventually goes undercover at Belmont Racetrack; although, the equine element is secondary, story-wise, to Ruby Murphy’s unique life and friends. You could even say that the mystery is in third place--HEX not being your typical mystery. In fact, if no one had been murdered in the entire book, I wouldn’t have been surprised.

What HEX is, is beautifully written, fun, and compelling. The lyrical, intelligent writing comes as no surprise since Estep is a poet. The book’s format is different, as well, consisting of possibly five, first-person, point-of-view narratives.

One horsey aspect that I found quite interesting and unique was the description of a horse stable in Harlem (I believe) near the beach. Okay, New York’s geography is totally obscure to me, so I have no idea if this is even remotely possible, but . . . it sounded cool. I wonder if the place truly exists.

HEX is followed by two other Ruby Murphy mysteries: FLAMETHROWER and GARGANTUAN. I’m looking forward to reading both. For more information, visit Maggie’s website: http://www.maggieestep.com/index.html

Happy reading